The last time i wrote a full fledged review on a movie in this blog was for Aayirathil Oruvan and perhaps it was in January of 2010 . There were a few brilliant movies that i have watched in the due course and always wanted to blog my thoughts , but was not at all motivated.
So why a review for Mayakkam Enna -Perhaps the reason is,very personal.There are so many positive,critical reviews on the web which made think more than once whether i missed some thing major in the movie that had been spectacular ! I kept pondering about the movie, re-collecting many aspects of the movie.Since my fb update was biased and opinionated,i wanted to elaborate on what worked and what didn’t work for me in this movie .
Again the very reason why i wanted to write is to just explain my thought process and how i approach a movie and this attempt is in no way , to provide credibility to the movie or the maker ,what-so ever.
There are lot of spoilers included ,hence reading this without watching the movie means you can make an informed decision and can save few hundred rupees.
Few things I loved :
-The very first scene. What a way to start the movie – executed brilliantly. The long conversations, the dialogue , the dig at the heroine , the slap etc explains the weirdness of the lead character is an absolute rocker of an opening for a movie. I was remembered of ‘Tarantino’ish style with an indian context,where in the long conversation that runs an under current subtle, some times making the audience uncomfortable and wishing for things to get settled without getting clumsy . Nicely done.
-In one interesting scene , the hero whose passion is photography, attempts for a big project and it turns out miserably and is shown the door. Next immediate scene , he is on the road side,catches a glimpse of an old lady,captures a brilliant series of portraits of her. She looks beautiful , just to him – conveying that it has to do more with a pair of eyes . Following this sequence,he calls up the heroine who criticized his work and passion – initially agreeing to her comments on his work , but still claiming that he loves what he is doing and it makes him happy and that he would continue doing it , on following one’s heart rather than doing mundane work . This scene slapped me in a brutal way and made me feel small in front of the super soul which seemingly looked like Steve Job’s version of ‘Stay Hungry , Stay Foolish’.
-Come how talented you are , fate is really fatal -luck matters to a great extent.To convey this,it is creatively done by a magazine that has the hero’s photography revolving over an entire office,through different hands , finally finding its destination by means of a chance encounter ,landing upon a person eye who takes the photo to an all new level.
-You may not believe it to be a Selvaraghavan movie when a really confused depiction of the heroine , in the second half , cries out to one of her friend who is a boy and is part of his friends group - on her man’s misfortune with life and sufferings. It becomes more uncomfortable when this common friend tries to flick/woo this damsel in distress and the way this gal slaps back at his very thought ,raping his intentions, word by word, politely, stripping him naked in entirety. That’s how you deal with nuances of human emotions subtlety. Not going raw every other time.
Now coming to the absurdity :
The central idea of the movie is basically ‘to follow the heart’ and the movie unfolds to show this by means of the lead hero in the movie – his passion ,struggle and what happened eventually.But the whole problem is that this basic plot is sidelined by the romances and complicated relationship.
Picture this: The hero is an aspiring photographer but the way how he approaches his peers , looking for a break is total stupidity. Just replace the ‘photographer’ tag with an aspiring assitant director/hero/music director who is looking for a break :it’s just one and the same . Stereotype and stupidity to the core. And more insane is the way how a leading successful photographer deals with this poor chap with swear words and steals the hero’s work .May be,the lead character is so stupid and doesn’t know abt copyright and stuff like that , but what abt his entire set of friends,that too when his girl friend is working in advt industry,it seems even are they unaware or does NatGeo publishes any photo without getting the RAW format /original of a picture and without proper validation of copyrights issue ?
So the basic problem with the movie is every character in the movie thinks and acts like how the director (who to a large extent thinks irrationally) thinks .Every thing falls in place , not because a character or situation leads them into , but just the director wants it that way. I see the director in every character – friends , lead characters every body which implicitly means they are not realistic and do not possess an identity of their own.
There is this important scene where the hero kinds of attains salvation in looking at a bird that spread open its wing which is supposed to bring the hero divine joys of his photography- what an emotionally touchy feeling should it have evoked at every one of us – it rather turns with poorly done CG and inconsistent lighting to the whole frame making it a mockery of a scene. I understand and am perfectly fine when there are cheap CG cut out in songs but not in scenes that add to the soul of the movie. Even to show a forest , they bring the Avatar opening scene of Pandora , one moment , the heroine looks at the forest from her cottage with again cheap graphics and in next scene , from the same balcony , the surroundings and tree look like some garden resort of ECR . I can bet that the cinematography is brought several level down by poor production values and CG. Director, you can make low budget movies but in no way should degrade the experience of the audience , for am paying a full 120 rs plus parking charges plus return toll charges.
The supposedly side track , of the hero’s romance, that has to support the central plot is both weird and unrealistic .It’s ok if it is weird ,but it has to be made believable - that’s the hallmark of great writers.Irrelevant placement of song ,utter dis-respect for the character of heroine and all weird friendship stuff sounds amateurish. More irony is in the form of heroine using weird ways to reach the hero hoodwinking the friend. And this friend is nothing by Chuck Norris,stupidest depiction of any possible character living on earth. What we have here is basically a bunch of confused souls with their immature sense and sensibilities ably supported by the director.
Suddenly towards the second half , the ‘confused-immature’ heroine becomes matured all of a sudden .May be they added a slide ‘ After few years’ with means , she becomes the holy sweet mother of God? They live in a very big rented house , but this modern gal , suddenly becomes ‘kudumbha-kutth-vilaku , wears saree with mildly applied turmeric on face and drives a scooty in rain with a slow song showing poignantly the suffering . The director, earlier killed any sort of belief that was infused to the character in first half , thereby driving out all women in the movie hall. And does a 180 degree ‘U’ turn to instill a sense of morality and motherhood in second half. May be,coming of age?
And what we have seen so far is the fair struggle of the hero to become photographer , who spends most of the time confused about the girl he loves who is with his friend , flicks her and marries shamelessly, earns the wrath of every body. Funnily,his off- mental stability in second half and his pea-sized-maturity matched to the same level.
And yeah , we have see enough struggle of the hero that we now want him to succeed ? The only one who wishes for it , are the heroine and director . There are movies where in , we need not like the lead character , the maker alienate you just because that’s the destiny of the character. But a character , in order to truly triumph , from being zero to hero , the under-dog , the audience needs to feel for him and vouch his case , but it’s not the case here.The audience get a sense of relief when the hero succeeds finally because they can now understand that the movie will be over soon.
Movie in its pen ultimate moments, gets into the Vikraman sentimental mode without the BGM of S.A.Rajkumar. And i prayed during the final frame that they don’t make the heroine fall of from the building making it an out an out weird movie.
Stand out performance of Dhanush – that explains every thing,that’s the only highlight which again means there is nothing more than it in this movie to talk about .
And there you are ! You witnessed a movie ,where in the hero , chases his dream , struggles with misfortunes, gets into emotional atyachar and finally comes out successfully with the help of his better half.
Way to go,Selva ! You rocketh