Movies

Abiyum Naanum movie review

Expectations were pretty high , atleast from me , for the team of Radha Mohan and Prakash raj strikes together again. But I felt disappointed after watching the movie. Though the team has to be appreciated for their meaningful and decent cinema , this fails to impress me .

The main reason being the waffer thin story line about an extra cautious dad trying to grow along with his daugther and the problems faced by the dad in seeing his child grow up independently with free thought . The plot is good , there are some interesting and touching moments , but the story is superficial and fails to touch your heart as a whole.

Most importantly , the way how dad ushers love for his daughter is not subtle , indian dads are known for this , but prakash raj’s love  for his daughter is showed too loud and lousy.

The movie is interesting at places , the humour is laced through out the movie beautifully and it has come out well.Some nice worldly , humane thoughts are brought out well.

Prakashraj steals the show but i feel he has over done the role and rest of the crew has nothing great to offer.Songs are a bit let down and dampens the already slow movie’s pace even further.

The movie delivers in parts and on a whole an above average decent flick worth to be watched with family and friends.

Taarae Zameen Par – Must Watch

It’s an incredible movie.

People call every movie nowadays a different one but this one truly deserves to be a different one.

Art of story telling has gone to a new level.

Kudos to the script writer Amol Gupta for having crafted such a script with depth and sensibility and the kid who did a tremendous job with his impeccable natural reactions.

Hats off to Aamir, the perfectionist , only he could do wonders like this .

Way to go Aamir!!!

Taarae Zameen Par should stay in our minds for quite a long time.

P.S:I don’t understand Hindi well but yet it spurred my feelings especially in the climax

Movie Roll

These are the movies I watched in the last one week.

1.Salaam Namastaae : Cool movie,handled a delicate plot with subtle humour and decency.I liked the Land Lord character a lot . Ezatly ! and the gal replying Sorry every time.

2.Being Cyrus:It was a pretty dark movie and gave a different kind of feeling after watching it.Good One.

3.BluffMaster: Liked it for the nice plot and intruiging climax deceiving every1.Abi looked really cool .

4.Corporate:Not that much moving.It travelled over the old  trodden path of how business is made  but not sure its not tat way now.I liked these lines from the movie:’For a corporate , profit is the bottom line’.

5.Lakshya:A novel plot but i couldn’t attach to the movie some thing was missing .They could have done it better.The emotions and events shown in the movie is not very touchy.I liked the movie and of course Hrithik for his underplayed character.

P.S:Only during this last one week , I realised preity is more pretty than wat i have assumed.

P.S.S:My ever longing wish of seeing all the hindi movies that i missed in the last 6 years is coming true , thanks to 70mm 🙂

Shivaji The Boss – Review

A lay man review:

Are you the one ,
–who walk into the hall waiting for the award winning performances from Rajni?
–who xpect the MIDAS touch SHANKAR narrates a story n screenplay tat has never been seen on Indian screen?
–who xpect each and every scence to be perfect,in sync with out any flaws ?
–who wish to see the guy whose being compared wid BIG B n analyse whose the better ?

Ten this movie is not for you……….

Continue reading →

Punch Maamae Punch

Punch DialoguesFor newbie’s to Tamil Cinema

A punch dialogue is an expression or a sentence used most frequently in the Indian film industry, especially the Tamil and Telugu film industries and is generally a dialogue uttered by the protagonist to describe his character and his off-screen ambitions in a flamboyant and grandiose manner. These dialogues have been used by dialogue writers to bolster the screen image of the protagonist and also make sure that another meaning is implicit in it which would convey the contemporary ambitions of the hero/heroine during the release of the film.

The term ‘punch dialogue’ does not have a literal English meaning as such, but has been used by the Tamil and Telugu film media for the past few years. It more likely refers to the fact that when the dialogue is uttered the ‘villain’ is metaphorically ‘punched’ by the protagonist who utters the phrase. The phrases are usually couplets used to highlight a specific character trait of the protagonist as relevant to the particular film scene.

Continue reading →